The Best Is Yet to Come

I listen to music when working on this blog. My musical tastes are eclectic, eccentric and not very sophisticated, ranging from Relient K to My Little Pony to Peter, Paul and Mary. In past weeks, however, I’ve listened to a lot of music from the Metal Gear games.

The Metal Gear series is very cinematic, and much of its soundtrack is composed by Harry Gregson-Williams, the composer for films like Shrek and The Chronicles of Narnia: The Lion, the Witch and the Wardrobe. The Metal Gear games also feature some vocal music, such as the song above.

This song, “The Best Is yet to Come,” plays during the credits of Metal Gear Solid, a game I enjoyed. The song’s haunting melody and Irish lyrics hardly make sense in the context of the game, but they’re absolutely beautiful.

Other great Metal Gear melodies I’ve enjoyed include the incredible MGS2 theme and the faux-sixties “Snake Eater.” The latter is notable for its James Bond flair and memorable lyrics, such as “someday you feed on a tree frog.” My younger brother and I unanimously agree this is the best lyric ever penned by humankind.

Songs like “The Best Is yet to Come” encourage me to keep writing and blogging and being creative. They make me want to go out and do stuff. Despite their baffling references to amphibians, songs like these inspire me.

A Geek Love Song

A better version of this song sans video can be heard here.

Well, St. Valentine’s Day is nearly upon us. ‘Tis the season for glitter-encrusted cards, nagging advertisements, candy hearts that taste like quinine, romantic comedies and grocery store aisles decked out in pink, red and white. It is a time for single people to feel self-conscious, and for people in relationships to feel stressed.

These are the times that try men’s souls. It is on such dark, hopeless occasions as St. Valentine’s Day—yes I am being sarcastic—we need the encouragement and strength of a love song for geeks. Debs and Errol, geeky musicians extraordinaire, are here to help!

In the video above, Errol sings of how to say I love you in various geeky languages. Anyone can say it in English, but how about Sindarin, Pig Latin, Huttese, lolcat (which I consider a legitimate dialect) or binary?

Geeky humor aside, in this season of candy hearts and commercial hype, I think we sometimes forget to let our loved ones know we love them. It’s no bad thing to be reminded to say “I love you” occasionally… though I suggest saying it in English!

Fifty Years of Doctor Who

Doctor Who, the British sci-fi television program, has been around for fifty years. That’s a long time for a television show to exist. Heck, that’s a long time for anything to exist.

The long-awaited Doctor Who fiftieth anniversary special airs this Saturday. (Awesomely, the premier for the newest season of My Little Pony: Friendship Is Magic, for which I am unashamedly excited, airs on the same day.) The Doctor Who special promises homicidal aliens, majestic sideburns and answers to longstanding questions about the good Doctor.

Doctor Who is a wonderful show. The acting and writing are superb, and the premise is (as the Doctor himself would put it) absolutely fantastic. Simply put, Doctor Who is the tale of an eccentric, cheerful, cheeky traveler and the blue box in which he roams the whole of time and space. Storytelling opportunities are endless. After fifty years, Doctor Who continues to amaze.

In celebration of fifty years of quirky British science fiction, here’s an epic song about the not-quite inexorable passage of time. Enjoy!

223. Persecution

Remember those in prison as if you were their fellow prisoners, and those who are mistreated as if you yourselves were suffering.

Hebrews 13:3

The International Day of Prayer for the Persecuted Church takes place this month, which is my cue to write a Serious Post About Religious Persecution.

I don’t have much to say.

My last post about the International Day of Prayer for the Persecuted Church sums up pretty much all my thoughts on religious persecution, so I strongly recommend reading it here.

I conclude with a song from Michael Card, my favorite songwriter in the world. On days like these, when I have no words, this song says what I can’t.

Whether or not you are a Christian, please remember the persecuted this month. Thank you, and God bless!

219. TMTF Reviews: CTRL+ALT+DUETS

I was recently asked whether I might be interested in reviewing an album of geeky music. Upon receiving this unexpected offer, I quickly arrived at my decision by the following three steps.

1. I know nothing about music.

2. I am totally a geek.

3. LET’S DO THIS THING.

Thus, with apologies to my musical friends and a rousing cheer for geeks everywhere, TMTF is delighted to review CTRL+ALT+DUETS, an EP of parody music.

Debs & Errol - CTRL+ALT+DUETS - coverBefore I discuss any of the songs on this EP, I want to mention how much I love its cover. Any design that brings together Batman, Portal, Totoro and the TARDIS is a good one in my book. All it needs, really, is a Triforce and a Poké Ball. The title of the EP is also pretty clever, though the names of the musicians puzzle me. Isn’t Errol an owl from the Harry Potter books? Am I imagining things?

Debs & Errol

I see Debs, but where is Errol? Who is the guy with glasses? WHERE IS THE OWL?!

All right, let’s face the music.

CTRL+ALT+DUETS features seven tracks: all parodies of popular songs. I was strongly reminded of Weird Al Yankovic, who does a phenomenal job of juxtaposing silly lyrics with sad or emotional melodies. This EP does the same. The most striking thing about its songs is how humorously the lyrics contrast with the melodies.

The first song, “Tribbles,” is a glorious riff on Taylor Swift’s “I Knew You Were Trouble.” The defiant bitterness of the original song is redirected toward the furry creatures called tribbles from the Star Trek franchise. The singer—whom I presume to be Debs, since she doesn’t sound like the Harry Potter owl—delivers a solid, believably poppish performance.

Moving on to another major science fiction franchise: the next song, “TIE After TIE,” puts panicked lyrics to a slow, smooth melody to describe a frenetic Star Wars space battle. I recognized the song as a parody of “Time After Time,” with a bit of the Star Wars theme woven in for good measure. Debs is joined on this one by Errol, who has a surprisingly deep, masculine voice for an owl. As with “Tribbles,” I love the contrast between pop melodies and sci-fi scenarios.

Next, a Disney song! We’ve all heard “A Whole New World,” the magic carpet song from Aladdin. “A Virtual World” is much the same, except the girl really isn’t interested in what the guy wants her to see. The guy extols the merits of MMORPGs. The girl complains about them. The listener—at least, this listener—laughs.

I haven’t the faintest idea what song “Falling Quickly” parodies, but that doesn’t keep me from from appreciating its melancholy description of Tetris addiction.

More Disney? I won’t complain. “My Partner’s a Nerd” snarkily inverts “Part of Your World” from The Little Mermaid. In the original, the singer describes her treasured possessions and wishes her life were less ordinary. In “My Partner’s a Nerd,” the singer complains about the geeky junk cluttering her home and wishes her significant other were more ordinary.

“Commodore 64” is neither a familiar tune nor a familiar topic. (The Nintendo 64 will always be the console of my childhood; no other video game system with 64 in its name will usurp its coveted place in my memory!) “Commodore 64” is a catchy, bouncy love letter to that classic video game system and its software. Most of its gaming references went way over my head—hey, I was born in the nineties—but I like the blending of an Elvis Presley-style tune with snatches of chiptune music.

The EP concludes with “If I Were an Undead Crawler,” a deceptively cheerful acoustic piece in which the singers describe the things they would do if they were zombies—namely maiming, mangling and devouring their listeners. (Once again, I haven’t an inkling what song is parodied.) For me, the real charm of this song is when Errol realizes halfway through that he doesn’t really want to be a zombie.

Debs is a fantastic singer, and Errol has a pretty good voice. Their harmonies are lovely; their banter is even better. As parodies of existing works, the melodies in CTRL+ALT+DUETS are familiar and catchy. Musical arrangements are quite good, though a few synthesized instruments sound painfully fake.

The lyrics are consistently clever and humorous… provided you’re a geek. The references to Star Wars, zombies and classic gaming will make no sense to listeners not steeped in nerd culture. This EP fits a particular niche. Those who understand its jokes and catch its references will enjoy it much, much more than those who don’t.

Barring Errol’s role in the Harry Potter books, I’d never heard of Debs and Errol. (I’m pretty sure the Harry Potter Errol and the geeky musician Errol are the same guy—I mean, how many Errols can there be in the world?) When I began listening to CTRL+ALT+DUETS, I knew only that it would be geeky. I wasn’t sure what to expect.

I wasn’t disappointed. The EP turned out to be pretty awesome… and extremely geeky. For six Canadian dollars—because American dollars just ain’t good enough, I guess—these seven songs are a pretty good deal. If you’re a geek, CTRL+ALT+DUETS is absolutely worth checking out. If you’re not a geek, don’t feel guilty giving it a miss.

The Best History Lesson in the History of History

Never before has video game history been so awesome… or so darn catchy.

Fun Fact: Nintendo existed for nearly a century before it began producing video games. It dabbled in everything from card games to cab services before striking gold with franchises like Donkey Kong, Super Mario Bros. and Legend of Zelda in the eighties.

Video Game Wedding Music

I’m not planning to get married, but I don’t deny the possibility. Stranger things have happened.

If I get married, I hope my wife doesn’t mind me choosing video game music for the wedding ceremony. Maybe I’ll just make her to listen to songs without telling her they’re from video games. Yeah, that might work.

How can she refuse the stirring notes of the prologue from Final Fantasy in the video above? Or this touching ballad from the latest Legend of Zelda game? Or some slow, sweet piano from Final Fantasy VI? What about this melody from the Kingdom Hearts series? Heck, the song is even titled “Dearly Beloved,” the words which began so many wedding ceremonies.

If my wife rejects all of these lovely songs, maybe I can persuade her to allow a nice, um, upbeat arrangement of “Pachelbel’s Canon.” The melody is a wedding classic, and therefore immune to all objections. I love loopholes!

200. TMTF RAP BATTLE!

My typewriter monkeys have finally revealed their sinister plans for this blog’s two hundredth post. They’ve hired some guy called Ice Kream to humiliate me in a rap battle. I’m not sure what a rap battle is, but I know one thing.

This is my blog, and I will defend it!

I should have seen this coming. Oh, well. Live and learn.

I want to thank Kevin McCreary from The Ceiling Fan Podcast. I sent him an email asking to use a rap beat he’d written for his show; he replied by offering to write a brand-new beat and record guest lyrics for this rap battle. His generosity is amazing, and it has been an honor to work with him.

To hear more excellent music from Kevin and the Ceiling Fan crew, check out M’Kalister Park, a silly and wonderful album available on Amazon.com. I highly recommend it, especially if you’ve ever listened to Adventures in Odyssey.

Next, a word to my typewriter monkeys: If you ever do this again, I will donate you to the zoo. That is all.

I would like to thank my father for supporting this blog since before it began. His fantastic artwork, lavish encouragement and gentle criticism have been extremely helpful. Thanks, old man. You’re a Stout Fella.

I’m truly grateful to everyone else who has supported TMTF by writing guest posts, sharing artwork, leaving comments, celebrating Be Nice to Someone on the Internet Day, following the blog, adding it to their blogrolls, linking to it via social media or simply reading it. I deeply appreciate every bit of support!

I guess I should give a shout out to my typewriter monkeys—Sophia, Socrates, Plato, Hera, Penelope, Aristotle, Apollo, Euripides, Icarus, Athena, Phoebe and Aquila—for occasionally helping out with this blog. Thanks, guys.

TMTF ain’t much, but soli Deo gloria all the same.

I’m not sure what lies ahead for this blog. Heck, I haven’t the slightest idea of what my own future holds.

As always, I’m comforted by these words from the old hymn: “Through many trials, toils and snares I have already come. ‘Tis grace hath brought me safe thus far, and grace will lead me home.”

I believe it, and I hope TMTF will be there to chronicle every serious, strange and silly thing along the way.

TMTF shall return on August 9, 2013. In the meantime, please feel free to check out my novel, past posts in the Archive or the fantasy novella I published as a serial on this blog.

Thanks for reading! We’ll be back!

Will Someone Please Remix Some Hymns?

This. We need more like this.

I’m amused and amazed by remix culture: the broad concept of a society that encourages reinterpreting or reimagining existing works of art.

This includes sophisticated literature like John Gardner’s Grendel and Margaret Atwood’s The Penelopiad, which retell (and deconstruct) Beowulf and The Odyssey, respectively. Remix culture also applies to the endless slew of recent films and television programs that turn familiar stories into action flicks, comedies or romances: everything from action-packed retellings of The Wizard of Oz and Alice in Wonderland to bizarre reinterpretations of fairy stories like “Hansel and Gretel” and “Red Riding Hood.”

By far my favorite aspect of remix culture is the music it produces. I’ve already extolled the creativity of the people who remix video game music, who can arrange a simple tune for everything from dance synths to Scottish bagpipes. People even remix music from cartoons like Gravity Falls and My Little Pony: Friendship Is Magic.

These remixes are not only creative and clever—they’re also legally available to download for free. The people who remix music often do so not for profit, but as a fun homage to the source material.

If melodies from cartoons and video games are getting rockin’ remixes, why aren’t hymns?

I love hymns. (Let’s not talk about contemporary worship music.) The old hymns are absolutely my favorite kind of music. Modern hymns like “In Christ Alone,” my all-time favorite song, are fantastic.

Why, why, why are these great hymns seldom reinterpreted with the same incredible creativity and brilliance as less important songs?

A few Christian artists do clever things with hymns, like Phil Keaggy in the video above. The band 2nd Chapter of Acts brought an eighties vibe to traditional worship music, and other artists occasionally record contemporary covers of old songs.

What I don’t see—and what I would love to see—is people getting creative with hymns, showing the same joyful abandon as the musicians remixing less important music. I want to hear smooth jazz arrangements of “Come Thou Fount of Every Blessing” and hard metal versions of “A Mighty Fortress is Our God.”

(Do not, for heaven’s sake, rewrite any lyrics. Got that?)

A wise man once asked, “Why should the Devil have all the best tunes?”

I must add: Why should cartoons and video games get all the best remixes?