460. Adam’s Story: The Premise

For anyone new to Adam’s story, here’s an introduction.

We begin with the basics today. The finer points of story planning really ought to wait until I’ve said a thing or two about my story’s fundamental premise.

Here we go.

Alone

Death! What a cheerful way to start a story.

Lance Eliot is dying, and he’s not terribly happy about it. Death is unexpectedly complicated. (Seriously, have you ever tried it? The legal paperwork is horrendous.) As he resignedly puts his affairs in order, Lance sits down to write a memoir of his adventures. He doesn’t expect anyone to believe it, but his story deserves to be told, and he’ll tell it if it’s the last thing he does… which it probably will be. Man, death is a nuisance.

This is his story.

Long before his death, Lance Eliot is a college student in the little town of Crossroads, Indiana. He’s eager to go home for Christmas break, but one thing stands in his way. He must confront a professor nicknamed the Skeleton—a gaunt, ill-tempered instructor of literary criticism—and plead for a passing grade in his class.

After a torturous discussion of Dante’s Inferno, Lance escapes the Skeleton, staggers to the nearest coffee shop, and buys a drink. Then, with no warning whatsoever, he disappears from Crossroads and reappears in a strange new world. Lance is lost and alone. Worst of all, when he vanished, he left behind his drink.

Spiritual coffee

Never mind Lance dying. Losing his coffee is the real tragedy here.

Lance eventually learns that he was transported to this unfamiliar world by an arcane power called aer… or as he puts it, “basically magic.” He’s now stranded in the kingdom of Guardia, a tropical nation tucked between two vast empires. Its society is antiquated, but not primitive; Lance later compares it to the Renaissance.

In some ways, Guadia seems too fantastical to be true. Aer, that mystical power, is channeled by a gifted few known as aerists. Stories abound of El Enthroned, the Greater God, and of his servants, the Twelve Seraphs. Dragons exist, apparently. Lance is skeptical, and not exactly pleased. “I’m stranded in a fantasy novel,” he grumbles. “Great.”

His mood only worsens when he learns why he was brought to Guardia. The kingdom stands upon the brink of annihilation. A young aerist, eager to help, tried to summon Lancelot, the legendary knight of Camelot… but got Lance Eliot instead. It’s hard to say who’s more upset: Lance Eliot, or the people who got him instead of the hero they wanted.

Now trapped in Guardia, Lance must face many trials to find a way home, and he’ll have to do it all without coffee. Even if he manages to get back to Crossroads, he’ll still have to face the Skeleton. Lance would frankly rather face the dragons.

Thus begins begins the story of Lance Eliot, which is also kind of my story. I did name this series of blog posts Adam’s Story for a reason, y’know. The next post in the series will probably focus on the setting or characters. We’ll see.

Thanks for reading!

454. Adam’s Story: Introduction

A new series of posts begins today. As this blog stumbles doggedly toward its final post, I’m planning my next big personal project. I want to rewrite a story. I speak, of course, of the Lance Eliot saga: a trilogy of fantasies, and a dream I’ve chased for more than a decade. At this point, I have no delusions of grandeur, fame, or literary excellence. I just want to get the damned thing written.

Sooner or later, every creative person reaches a point at which he just wants to scream and shake things—preferably sharp, pointy things. (Art by JK Riki.)

A while back, when I wondered whether to discuss my story here, nobody raised any objections, so here we are. I’m not sure how often I’ll publish posts about the Lance Eliot saga, but they won’t take over TMTF or anything. This blog’s regularly scheduled nonsense shall continue!

I’ve decided to title this series Adam’s Story. I considered longer titles, like Adam’s Story Project, and more specific ones, like The Lance Eliot Saga, but settled on a title that’s short, sweet, and personal. After all, Adam’s Story refers to more than a story I want to write. It is also my story, the story of Adam, who has spent (or misspent; the jury’s still out) an alarming number of hours making up stories about a guy named Lance Eliot.

I’m actually really excited to write about the Lance Eliot saga, for at least five reasons.

  1. It will let me work on two things—this blog and story planning—at the same time, and with the same effort. How efficient!
  2. It will provide, I hope, a smooth transition from writing a blog to writing the story itself.
  3. It will force me to be a bit more disciplined. I can’t write about an aspect of the story until I’ve made sufficient progress in planning it, so I won’t be able to skip steps or cut corners!
  4. It will allow me to express my enthusiasm for the Lance Eliot saga, and to spread awareness of it. Every bit helps!
  5. It will allow me to share some of my ideas. Even if I’m not able to finish the Lance Eliot saga, at least I will have gotten some of its details out of my head.

I’m currently rereading the latest version of the story’s first part, the one I published a few years ago, and it… needs a lot of work. Heck, it needs a lot of work.

This is a picture of me throwing away the torn-up pieces of my story’s published version. Hold on, my mistake, it’s actually that version’s cover. How… apropos.

The new version won’t be anything special, but I hope to make it much better than previous ones.

Will I publish my story? I don’t know. I haven’t planned that far ahead. I’ve stopped calling the Lance Eliot saga “my book project,” and begun referring to it as “my story project.” I should probably write it before I think about publication, and I should probably plan it before I start writing.

As I plan the Lance Eliot saga, each post in the Adam’s Story series shall focus on an aspect of it. Relax, there won’t be any huge spoilers here. That said, there will be small spoilers, but nothing past the story’s earlier chapters.

Here are some of my ideas for posts about my fantasy and its world.

Story

I have to lay out the basics at some point, right? There won’t be any massive reveals here: just the early stuff!

Characters

There’s obviously a character named Lance Eliot. This post shall share a few more.

Setting

The setting is changing from previous versions of the story. I hope to make it more unique, with more details from personal experiences, and fewer generic fantasy elements. (There shall still be dragons, though. I can’t bring myself to leave them out.) The geography is changing a bit, too.

Goodbye, old setting. We hardly knew ye.

I guess this means my dad and I will need to make a new map. It’s a good thing he’s a patient man.

Politics

Earlier versions of the story didn’t really delve into politics. I want to change that. The simplistic political scene of earlier drafts shall be replaced with a tenser situation, finding such diverse inspirations as the Cold War, The Chronicles of Narnia, and Final Fantasy XII. Lance Eliot’s story shall be an adventure, not a political thriller, but I’m excited to give it some political background.

Lore

Like the story’s politics, its lore shall be more nuanced this time around. In The Lord of the Rings and his other fantasies, J.R.R. Tolkien imagined the God of Christianity in a fantastical context. I plan to do the same, taking cues from the later Old Testament, and borrowing ideas from Greco-Roman mythology and the Legend of Zelda series.

Aer

I really struggled with the concept of magic as I wrote earlier versions of the Lance Eliot saga. At first, I fought to reconcile magic with a Christian worldview, and I think I’ve figured out that part. Now my struggle is to invent a kind of magic that isn’t too vague, generic, or unbelievable. The magic in my story isn’t actually called by that name; for now, I’m calling it aer. What is it? Why aer? You’ll just have to wait and see.

Literary criticism

Yep, this is a theme of my story… but not really. Literary criticism, for all its usefulness, can be a bit silly. Nah, its purpose in my story is to lead to something else… but I’m getting ahead of myself.

Dante’s Divine Comedy

I plan for my story’s three parts to parallel, however loosely, the three parts of the Divine Comedy. The first part of my story shall borrow from Dante’s Inferno, and it’s going to be a hell of a ride. (Alternatively: It’s going to be a damned good time. I can’t resist these puns, guys. I’m so sorry.)

I may cover more aspects of the story; I don’t know. Today’s post covers pretty much everything I have planned for now.

That said, this story won’t plan itself, so I’d better get back to it.